Select Page

Descent of the Gods
Author: Mark G Cosman
Title: Descent of the Gods
Published On: Oct 2 2014
Genres: Action/Adventure, Fiction
Publisher: Black Rose Writing

In their self-indulgent realm, the gods know no suffering until the end of their days. Compassion is the only portal through which they can escape the self and its eventual demise, but without suffering, compassion cannot be recognized. So, they go in search of compassion in the human domain where happiness and sorrow abound. There, they genetically engineer a superior humanoid race and are soon distracted by the delight they find in the daughters of men. The gods are the extraterrestrial visitors of our collective memory.

Tormented by envy, the Asuras are warlike demigods that follow the gods into the human domain. They become the demons who initiate our concept of evil.

Quay is the son of Om, the father of the gods. Quay’s childhood adventures with Daya, his female humanoid companion, take place on the Isle of the Gods, which closely parallels the legendary Atlantis. On coming of age, Quay and Daya become inseparable lovers. Quay is challenged to separate passion from compassion.

In the human domain, the gods were simply gardeners. When the god Talmund left his garden across the Salt Sea and returned to the Island of the Gods, he left his humanoid workers behind. Eventually, two civilizations evolved from his workers, the sedentary Taltecs in the south and the nomadic Tulacans in the north. The civilizations resemble the pre-Columbian cultures described in the Book of Mormon.

Fearful that these autonomous humanoids were exceeding limits the gods set for them, Om sends Quay across the Salt Sea to observe. Before undertaking his mission, Quay interviews the first humanoid, Ahn, and the god, Elo, to whom Ahn was given. The meeting occurs in Eden where Elo kept an expansive garden. The interview is essentially a discussion with the Biblical Adam, which sets the tone for the human condition and their relationship with the gods.

Quay’s mission abruptly separates him from Daya. Ri, an Asura driven by hatred of the gods and an erotic desire for Daya, pursues Quay. Quay’s adventures among the Taltecs and Tulacans are interrupted when the two civilizations collide in an epic conflict that spans a continent.

Meanwhile, a geologic cataclysm destroys the island of the gods. Daya is rescued by an Asura ship, is assaulted and subsequently escapes into the forests of the Eastern Isle that survived the deluge. There, she becomes the legendary huntress of the forest, similar to Artemis, twin sister of Apollo.

In the Land North, on a field of flowers, during the final battle of the great war between the Taltecs and Tulacans, Ri finally comes upon Quay and attacks, but he is shot through by an arrow from the bow of a nomad who had befriended Quay. Quay assists Ri through his dying experience. By his outreach to his mortal enemy, Quay discovers the compassion for which the gods had entered the human domain.

Quay ventures back across the Salt Sea to find the Isle of the Gods has vanished. He sails on to the Eastern Isle where he is reunited with his kind. Scarred and embittered, Daya courageously defies the authority of the gods. It is the darkest of nights when Quay watches from a distance as Daya releases a virus from an urn that the gods had prepared in secret to cull the humans. Her act is reminiscent of the legendary Pandora. The freeing of the virus results in Daya’s death and that of all humanoids on the Eastern Isle. In effect, she impedes the grand experiment of the gods and alters human evolution forever.

In his 977th year, Quay began to die. His dying experience is detailed using the Tibetan Book of the Dead as a guide. Quay was the last of the gods that walked among us.



author information

About Mark G Cosman

Mark Cosman’s writing began when his daughter, Berlyn, was murdered at her high school prom party. It was when Mark left the rubble of his beliefs and assumptions to go in search of the most profound questions we ask ourselves. His first book, “A Flower in the Snow,” and his latest work, “Descent of the Gods,” is the result of that odyssey.